Freyja’s Friday (9): Outdoor Shrine

Thanking my Lady (along with the Morrigan on the left) after my living abroad and being back to my country.

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Freyja’s Friday (8) : The Lady and the Sea

Let’s do this. This post has been on my mind the whole week, held inside my body too, such strong sensations and poetic panoramas overlapping the landscape. I’m sorry that this arrives on Saturday and not the traditional Friday, but it was meant for yesterday so. I won’t waste an occasion to speak about the lady and share my views just because of a date.

Please note that this is going to relate personal experiences, and no knowledge of the lore.

The top shrine is essentially dedicated to Freyja, and it has been installed on an old, familial piece of furniture traditional of that house near the sea. Ever since I arrived, for a reason, I felt her. I needed space for her. (For those who don’t know me and don’t follow this blog regularly, there is a formal distinction : I am devoted to the Morrigan (owned by), not Freyja; in my mind, feeling Freyja first is… somehow weird).

I had not planned on finding her here, after my return back to France (after two years in Canada).  Why near the sea, and not in the North? Why not among fields and forests, and hills, and birds and falcons? But everything here resonates.

I feel her on the beach,
Step after step
My feet in the burning afternoon sand,
Or the cold sand of the evening,

Marching in her footsteps
I feel her as I walk on the shores
As the wind blows in my loose hair
As my gaze searches for the horizon

Why does it feel painful?
I am a mixture of freedom and sorrow
The world is silent but for nature’s call
I am serene
Yet I can feel that pull in my chest
The aching of my heart
A longing and a melancholy
Why ?

My favorite moment is the end of the day,
When people are busy elsewhere
When the light changes colors
As the sun crosses the sky
The sea darkens and the sky lightens

I am of roses and purples
Of blues and indigos mixed with crimson red
And oranges and gold
Tainting the clouds and sky

And then I can see and feel plainly
The taste of amber
Bittersweet
Both light and dark
Both peaceful and aching
That bloody sky and sea

I can hear now more clearly
That bitter song that has been haunting me
The Siren song, yearning and aching


Mardöll by Maris Pai aka, Marisvision

I don’t remember having read anything in the Lore that corroborates, developps etc this aspect. Apart from this quote that Maris reminded me of, I have nothing in mind bu visions and impressions of the Gods:

“Freyja has many names, and this is the cause thereof: that she gave herself sundry names, when she went out among unknown peoples seeking Ódr: she is called Mardöll and Hörn, Gefn, Sýr.”

– Gylfaginning.

For a reason that I have never been able to explain, Freyja as a Goddess wandering on shores is associated in  mind / core with a younger aspect of Freyja. It has happened to me before that certain aspects of the Gods are chronological. I see Freyja as a Valkyrie and a master of Seidhr as the latest aspects. I underlined above that “definition” to state my vision as clearly as possible: Freyja (Mardöll) is not a goddess of the Sea to me. Her younger aspect is tied to her Father’s nature, and derives from the same differenciation (which I do not justify with lore, again, this is personal experiences, might be unique) : Njord is not a God of the Sea per se; Njord is not Aegir or Ran, they both have a very distinct nature and realm of power. I see and feel Aegir and Ran as divinities from a different nature, that has been described under the following categories : “titans”, “giants”, “Jotnar”, etc. They feel intrinsically more “primal”, as beings associated with blunt natural forces. Hence, Aegir and Ran rule over what is associated with climate and pure natural laws of the sea to me: the winds, the currents, the storms, the waves, the depths. So what about Njord? I’d recommend reading lore and all instead of me on that point XD But anyway, we can say he has been associated with a more “civilized” aspect of the sea, which is more about trade and journeys, people that sails over the sea from land to land. Might be associated with fishing and the abundance of the sea shores too. It’s been a while I read on that subject. Anyway, somehow I see him closer to the land that Gods of the “deep sea” (mentionned above), not only on a metaphorical plane, but on a physical one (actual distance). Hence, I do not see Freyja-Mardöll at all as a Goddess of the “deep sea” either; She’s restricted to the shores, potentially sea travelling.

Until today, I had no remembrance of that above quote from the Lore, but my feelings and visions have remained constant over the year: I see Freyja-Mardöll as young Freyja roaming the shores, and looking over the horizon in search for a sign of Ödr ; waiting for the Lover’s return. The melancholy and the aching of the heart, and the tears of amber trailing her cheeks. I thus realized just how accurate it had been to offer her my broken heart months ago, doing that ritual of broken love, about lovers being separated by the sea (ocean). She is so representative of that sort of grieving! I have worked with her as a Healer in that sense, offering pain, sadness and all. I had not realized it since I acted on pure intuition, but it makes a lot of sense in the end. I wonder if she tried herself on the sea, as a sailor, looking for him on any coasts she could land (not sure if that’s the right English word). In a sense, she is a divine Look-out (or Vigil? or both?). A thing that I have not cracked yet, is why she feels so serene, while being in such pain at the same time.

Anyway, here we are. I’m not sure I could continue on this subject today.  But here you have it, my personal feelings on that matter. I wish more people could share they experiences with Mardöll, as she is very dear to me.

Freyja’s Friday (7) : Idunna’s New Issue

Dear everyone,

I cannot but spread the words that were passed to me. The Troth issued a new publication of Idunna, which is entierly dedidacted to Freyja! Hail !

“By popular demand, we are releasing IDUNNA #111 (Spring 2017) a year early! This issue was dedicated to Freyja, the Norse goddess of (among other things), wealth, sexuality, and battle. We feature plenty of poetry in this issue from Laine Mardollsdottir, Laurel Mendes, Lorrie Wood, Ani Greenwood, Loraine Canaday, Shawn Rowland, Meredith Himmel, Nathan Large, and James Moore-Hodur. Ben Waggoner presents a translation of an Icelandic folktale, “Maertholl”, that just might preserve an ancient myth of Freyja. We have essays from Diana Paxson on an overview of Freyja’s nature, Jeremy Baer on the form of magic called seidr, Loren Jones on Freyja’s necklace, and Kim Pierri on the elder tree and its possible associations with Freyja. And we feature our usual columnists, book reviews, news from the Heathen community, and more!”

>> You’ll find the pdf here.

>> And the paper version there.

Freyja’s Friday (6)

Do you like regular dates in your spiritual practices? Do you like concentrating energy and intention on the same day / moment as other people’s?

A group of devotees to Freyja created a monthly rendezvous to connect to her, Freyja Prayer Day, every 2nd Friday of the month ! You can keep it simple or not, do it alone or with friends, etc !

Here goes the idea:

“On the second Friday of each Month, let’s get together and celebrate Freya wherever you are in the world.

The ritual can be as large or as small as you’d like, as simple or as complex. The important thing is that we all focus on the energy of Freya and all that she can bring to this world.

This world needs beauty, this world needs magic, this world needs fighters – Freya is all of these things and more.

If you’d like to tweet or instagram about what you did, we encourage you to use the hashtag #freyaprayerday”

 

Join us on Facebook to keep track of the events 🙂

Freyja’s Friday (5): The Smell of Roses

At first I pushed back the idea away from me, because it seems such a clichee about romantic and sensual Goddesses that I didn’t want it… But it stuck. It stuck to the point of following me everywhere, so I made a few courteous gestures to the Lady: Ok, I get the message! Apparently She has a thing with the Smell of Roses, it’s kind of… intoxicating when She really insists on it. I am decided to have fun with it though, because it had been a really long Gods had not communicated with me through smells. So I bought an oil-perfume that I am going to dedicated to her specifically, and I found this incredible ink, seems back from the old school years of the 17eth Century! French Salons and perfumed letters, damn.

I wonder if other people have encountered Freyja through Roses.

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Freyja’s Friday (4): Unexpected Faces

When we open ourselves to experience, weird things happen. This is such a case.

It had been months since I had seen this notebook cover in my favorite shop, and kept seeing it each time I went (which is regularly). It baffled me for its peculiar style, appearing so bright and girly with the sparkles and reflections, and young-looking character… it was weird to me. Not exactly childish, and yet. I was feeling that this was a beautiful piece, and yet it was unsettling for some unknown reason. I was saying to mayself that I couldn’t buy a notebook which was not exactly my type, that I didn’t need a new one, so that I’ll pass my turn. But then I kept seeing it, and seeing it, and it stayed strange and pulling to me. I wondered if I had a problem with a feminine character being so visible, if that reflected something about the sacred feminine and my body that I needed to ponder on, or if this scenery appealed to me because of it reminding me of fairy tale (Snow White) but having a style I couldn’t exactly pin down or accept. But I couldn’t settle on any answer.

Today as I went to the shop, it occurred to me that I needed to look at the notebook again, and then I understood one part of it: Usually, I see some versions of the Snow White myth as a re-reading of Sovereignty, Land, and Queen patterns / myths, which I associate with the Morrigan. But strangely, I didn’t see the Morrigan here, which is what confused me. Tonight as I looked down to the cover, I realized the energy I was feeling was Freyja’s and not the Morrigan, but Freyja has *never* appeared to me as a black haired woman, a Goddess roaming in Autumn or Winter (the clothes colors tend towards winter), hence was unable to recognize her! Since I am on a cycling of devotion with her, writing a lot, praying a lot, I thought she could deserve her own notebook, like the Morrigan does.  And…. I kind of got that I deserved it too. There might be something she wants to teach me about Beauty again. Having a beautiful notebook as a treat for the recent work, or maybe take responsability for one’s own peculiar beauty, caring a “girly” / sparkly notebook, etc. We’ll see.

Anyway, this a picture by the artist Mila Marquis.

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Freyja’s Friday (3): A Mourning Ritual

So here is a thing. I relate a lot to Freyja as a Goddess of Shores, in the sense that she has roamed some shore for a long part of her life. There is a lot of power in these places, which were the first to call me, the first where I did magick possibly. I feel that the presence of the Lady is strong here, as Mardöll ; her story of the woman heart torn because of a far away love is strong within me. Since I had something very special on my hands, which I had tremendous difficulties getting through, I felt that a ritual was needed for me to be able to go through the process properly. All the more so since the Spirit of the Sea had been calling me for a few weeks.

Caracterictics of the ritual: sea magic, thread magic, purification, mourning ritual, relationship ritual, calling of the Spirit of the Sea, calling of Freyja in her Mardöll aspect, …

Intentions of the ritual:

Stating that the relationship that I had was Sacred. That it was a Gift made by the Lady, and that what we had was completely unexpected and magical. Any comment that I received, any hint at criticism, was felt terribly strongly within my being, as if they were almost sacrilegious. I wondered first if I was just losing my mind over it, being overpossessive and completely in denial. Then, I rather observed how I had felt and reacted through this past year, and considered on the contrary that what I was experiencing facing adversity was similar to a reaction to Taboo. Thus, I had to state how much that love meant to me, to him, to us, and how Sacred it was. I had to make it an intention to protect it from spoil and disgrace.

Letting go. I needed to be able to let things flow again. I thought I had done my hardest break ups already, but I was wrong obviously. This one tore me apart, as I had such an intense love for him, and him for me, that it seemed completely unsane and absurd to part. When I finally said goodbye to him the last day, when we had settled everything, I cried my heart out…. And for days, I couldn’t bear the lost. Everything came to mind, whereas I had taken a month to reflect on this and arrive at this decision, that I needed it. I was really afraid of calling him again, of staying stuck in the hurt and past. Which is when I decided I needed help to learn to let go, and so I conceived the ritual.

Clarifying things in order to mourn properly. I needed to state the sacredness mentionned above, the intensity of the love, but also that I was not denying everything. To myself, and to my unconscious, I needed to make clear that I wanted to keep what we had had on my wyrd, in my memory, and not throw our whole relationship away. I just needed to let go of the ties we might still had, in order to heal and grow again, to find my center back.

Note : I imagine this can be adapted to *any* kind of relationship, be it friendship or romantic relationship. Also, it could be adapted to actually separate people’s thread, and releasing a whole past, instead of preserving it. I imagine this could be adapted to work with Aphrodite or other Love and Sea Goddesses.

What I used:

  • a cup to hold water and salt
  • salt
  • a necklace dedicated to the sea
  • an object that was given to me by the person in question
  • two threads of fabric to tie together, long enough so as to obtain a small “bread” plus two separate threads again after the knot (symbolising the wyrds being entertwined in the past, and now going separate ways)
  • a knife (sacred if possible) to cut the cord / braid

What you would need:

  • An offering for the spirits of the place (a song in my case)
  • An offering for the Spirit of the sea (the necklace in my case, plus a song)
  • An offering to Freyja (I had done a lot of offerings and devotions already)

Type of place needed:

The sea proper, or an actual river that goes to the sea. Eg: I did my ritual on the shores of the St Laurent River, whichs goes to the ocean. I don’t recommend using a pond, as it is associated with stagnant energies. At least you need a stream. Or, you can adapt the ritual to state that this is all symbolic since you can’t go to the sea yourselves.

*****

Simplest of rituals work most efficiently. Here it goes.

  • Opening.

Go to the place, introduce yourself (and your Sacred Witness if you need one; strangely introduced mine at the end, as a grateful closing).
Ask and thank the spirits of the place and the spirit of the Sea to allow you here. Make an offering — this is where I chanted.

  • Consecration.

If you need to, consecrate the space. For this ritual, I considered the place was already so charged of the energy of the river and sea (the place was really strong), and especially that day with crazy wind and currents in the river, that I didn’t needed consecrating it. I just stated that the 3 worlds were aligned. But I wanted energy to get through. (I work specifically with Heimdall for this in my rituals).

  • Purification.

Very very important part. Purify yourself with care. I took water from the stream in the cup, added a lot of salt and stirred. Then I purified the feet, hands, solar plexus, heart, throat chraka, third eye, and crown chakra. I purified my Witness Myself, and then me.

Then, I took the sea necklace and purified it too, plus then took water from the stream to open communication between the energies, between my offering (necklace), my ritual and the Spirits of the sea.

  • Core: discourse-prayer-invocation-intention.

“O Spirit of the Sea
My cup is full
I feel your pull
I heard your song
I was drawn by the lull

As I am inside this body
I can’t become as fluid as You are
But there are ways to learn
To let go, and let flow
Let go and let flow

As My Lady before me
My heart aches
My heart weeps
My Love far in the distance
Across the Ocean

I have come to Your Winds
To Your salty water and air
To wash my feet &  wash my heart
Looking for purification

(note: it’s possible to do the purification at this moment, but I prefered to do it beforehand)

Will You receive the sacrifice of my sorrow and tears
As my Lady’s before me?
Will You Both teach me
How to transform pain into Gold
Pain into Treasure?

I do not deny the past
Our paths have crossed
And joined for a while
We Loved and cherished & treasured each other
Until the abundance ran out
I followed the Law
I had to let it go

Can You receive my Love?
Please welcome here the threads of our past,
I need to go a separate path for now
I need us to rest, heal and grow
I am looking for my center
For my own self

Our Love seemed as deep as the Sea
Thus I dedicate it to You
Who stood between us”

//At this point, if you did not do it before the ritual, take the two threads of fabric, tie a knot at one hand ; then braid them together remembering the past of your relationship, the joys, some key memories ; go till the middle of the threads, make a new knot, and let the rest flow freely. After, present it to the sky and/or sea, and take you knife to cut the threads after the knot, in order to separate the braided part and the loose part. Offer the braid to the stream and let it go to the sea.//

“O Bright-Lady, who roamed on the shors
How did You survive that opening,
That tearing and bleeding of the heart?
How did you survive that Loss
That missing part of Yourself?

I do not want to stay in the past
Or stuck on the shor waiting
Please help me see the horizon
Help me soothe the pain
As I offer it to the Sea”

///If emotions come to the surface as this point, this is “perfect”. The ideal would be to let tears pour into the stream/river.///

“Help me see that if the time is right
If that is Just
That He and I will meet again
Please help me find a Vessel for that Sacred Love
So that it does not consume me
Help me see that nothing is Lost
Whatever happens from now on”

//I breathed, then I  release the single braid representing my former partner, and gave it to the sea, saying “Goodbye X”. I breathed, and released my own, saying “Goodbye me”. //

//At this point I needed to chant again as a way to release the past and emotions, exchanging with the Sea too. Some part I did on the shore, some part I need as I immersed my hands into the stream while singing.//

And that it is.

[Note : If I could have had it, I would also have made a paper ship out of recycled and non-treated paper, put in on the stream and burn it, as a kind of burial norse rite, to consecrate and make our Love sacred and dedicate it to sea, as was stated. ]

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